our next release comes from hot new talent sophie, who you might recall from his rapturous remix of auntie flos highlife or from his thrilling live set at many of our parties over the past 12 months.
NOTHING STAYS THE SAME (LOST TREASURES VOL.3) (10 INCH)
10 Inch 14.12.12
support by: satoshi tomiie, fritz zander, lee burridge, anja schneider, gerd, charles webster, fred everything, adam port, axel boman, anthony collins...
kirill mamin from russia who recently delivered a nice release on dmom is now back on nothing with x (nwx) with some acid flavoured minimalistic techno tracks.
toolroom records delivers one of their most highly awaited releases to date, with anticipation reaching fever pitch due to the meeting of mark knight & skunk anansie lead vocalist skin on nothing matters!
trevino is the name marcus intalex has adopted for his ventures into house and techno productions. trevino music has been receiving heavy praise and support from top players in the 120-130bpm electronic music scene including scuba, oneman, loefah, & alexander nut. following his first releases for martyns 3024 label and naked lunch, this is his debut release for craig richards label.
20 years in the making, nothing but noise, the trio led by front 242 mastermind daniel b and featuring original front 242 member dirk bergen and erwin jadot, finally release their debut album >not bleeding red< on uk independent future noise music.
borne from a deep love of analogue synthesizers and inspired by the likes of manuel gottching, tangerine dreams early albums and bowies berlin period, >not bleeding red< is an album that fully deserves its place in the long and distinguished history of european synth acts.
includes free download card for the full digital album.
additional support from: luciano, ricardo villalobos, laurent garnier, mandy, dubfire, tini, terry francis, raresh, axel boman, midland, ivan smagghe, ...
rhythmic elegance! filtered piano chords and impressive strings play across the organic warmth of the beats to create a uniquely uplifting,melody-laden groove.weve got nothing but love for this quality people mover.
1998 entdeckte philip bader seine liebe zu elektronischer musik – und brauchte nur ein jahr, um sein dj-debü,,t im legendä,,ren berliner tresor zu geben. es dauerte nicht lange, bis sich der gebü,,rtige berliner seinen ruf als einer der kreativsten kö,,pfe hinter den plattentellern verdiente, der schritt zum produzenten war da nur folgerichtig. und auch hier stellt bader seine originelle vielfalt regelmä,,ßig unter beweis– da verwundert es kaum, wenn er auch led zeppelin und de la soul als musikalische einflü,,sse nennt.
after the success of the nothing special events a label of the same name begins. the events so far have been held at fabric of course and new york. the concept is simply that craig plays all night around live acts. previous guests have been pole, deadbeat, moritz von oswald trio, emperor machine, convextion, dopplereffekt. 2652, shackleton and conforce. the depth of craigs musical knowledge as a dj provides a sense of structure to the parties. the nothing special in weekly radio show format commences imminently. first release is by radionasty - the combined force of billy nasty and keith tenniswood.
sixth release on the burgeoning diner city sound label, we have featured the legendary 1979 orchestra before on a well received collaborative effort with his buddy volta cab on dcs004. we decided to invite him back to release his own ep with us. 4 brilliant tracks, beat down and fun all round from this exciting young producer!
although its their first official release since 2010s disco anthem bubble bath and its accompanying ep, the swiss have hardly been taking it easy. they have spent the past 12 months taking their live show on the road, playing club nightsacross the us and europe including philly banger making time, fixed in new york, social club in paris, the modular summer sundance in the uk, and gracing the sydney opera house stage for australias vivid festival.
in between shows, swiss members tony mitolo, luke godson, and producer donnie sloan have been steadily working on new material, with a full album expected in 2012. double or nothing, which was written in a hotel room straight after tony played glastonbury this year as part of empire of the sun, is the first taste of whats to come from the group.
played and supported by: matt john, anja schneider, maceo plex/maetrik, tim green, davide squillace, paco osuna, butch, kaiserdisco, timo maas, popof, konrad black, phil kieran, hugo, camea, carlo lio, luca bacchetti, ida engberg, federico molinari, tim xavier, coyu, cesare vs disorder, kabale und liebe and many more...
I AM JUST THE RAIN (TOLGA FIDAN RMX) (GOLDEN MARBLED VINYL)
Coloured 12 Inch 10.05.11
with age comes maturity, or that is at least what one would normaly think. together the three men (jin choi, walker barnard & tolga fidan) associated with private golds second release, the >i m just the rain< ep, clock in at over 100 years… and yet this release is all thrusting crotches and wriggling teen lust man-booties. only kidding, the songs on this release are nothing if not mature. sure the aforementioned sex is there. in the cooing vocals, stompy bass and 60s psych of the contrapuntal guitar of the eponymous >i m just the rain< or in the jimmy edgar-like funk and grind of >revolution for the lovers<.
oliver hos label wires returns soon with the third installment, >nothing ep< by raudive. this release sees oliver pushing the raudive sound into a darker area featuring industrial influences within the techno grooves. the ep starts off with >shiver<, featuring an organ drone overlaid with bursts of resonance and feedback, with the repeated vocal phrase, >the sun sets inside you<. next comes >>nothing<. a strange wood block sound rides over the heavy groove, with synth stabs and echoing vocal sounds, it is relentless and hypnotic. we continue with >sigil<, the combination of monotone bass and synth stabs with the strange primal moan produce a creepy groove, - gothic techno maybe... finally we have >dial<. the last track finishes the ep off with heavy drones and white noise feedback, bringing to mind the relentless tones of lou reeds metal machine music.
following up on their 2009 debut miso release, the brighter side, version returns for another round of innovative sounds on miso 013,entitled >nothing<. charles webster, martin >atjazz< iveson and vocalist, emilie chick continue on the path of pure quality with 4 tracks of adventurous, modern, deep electronics for the dancefloor. >nothing< straddles many dance genres gracefully, appealing to the deep and soulful crowd while also giving the techy, moody folks plenty of aural inspiration. with tough beats, tasteful instrumentation and another wonderful emilie chick vocal, the 2 dubs and full vocal mix are sure to please dance floors, dens and dinner halls, the world over and the wonderfully dusty sounding atjazz remix is pure enjoyment.the vinyl is a one time only limited edition high quality pressing.
it would be a complete mistake for any house imprint not to include a us talent in his catalog, this wont be the case for apersonal music. on its third effort the label takes his first journey to the grounds of american house. from arizona, michael j collins with remix rework from bostons house-sons soul clap, plus the first collaboration for apersonal from maurice aymard. a side single nothing wrong with holding on show us the most eclectic side of the label so far. looped vocals, broken house with a saxo on top. michaels talent goes beyond genres mixing elements from different styles to create this great piece of music. soul clap delivers, as usual, top stuff! in their remix they speed up the bpm and add a hip-breaker bassline taking the original track to the dancefloor war zone. second remix from maurice aymard, himself at the controls plus venezuelan producer garnica hitting the drums, they take the track to a trippy slowmo version, what maurices catalogs as his best remix so far.
played by ellen allien, koljah, bryan zentz! amam records is pleased to announce its seventh release, a joint effort between avatism of london and the selph of milan – including a remix by veteran producer dan curtin – for a well rounded tech-house vinyl ep
minimal info required - sandwell remix >reality or nothing< (housewerks) on rsb - boom !! custom insert designed by silent servant... hand stamped sleeves !! it took many years for folks to realise that chicagos housewerk records was in fact an outlet for regis and females much praised tech-house productions as >reality or nothing<. after much deliberation we are very proud to present two full eps of lost tracks and uber-current mixes in the sandwell vein with a tip of the hat to the golden age of uk techno house music..
minimal info required - sandwell darlings remix >reality or nothing< (housewerks) on rsb !! custom insert designed by silent servant hand stamped sleeves
first on decks.de !!! rhythmetic #15 is taking things back to the way they should be with tight funky percussion and locked in grooves. real house music for the heads
as an added incentive, >give me pain<, another key track on the album, receives the mikael strav÷strand treatment, resulting in what can only be described as a real and truly hypnotic tour de force. so yes, it should really be thanks for everything...already in the flight cases of...: chloe, james holden, dj t, kiki, tim green, slam, martin eyerer, tiefschwarz, gregor tresher, brendon moeller, dan ny tenaglia, jeremy p caulfield, allan byalloà
for the third nowar release, chicago house producers hakim murphy and inbum cho team up for this beautifully organic trip into deep grooves and lullaby melodies on a steady deep house rhythm. sweet strings, gentle melodic rhodes chords and a bassline that will get you hooked instantly. its an armchair staring-at-the-nightsky house essential!
stroboscopic artefacts third release sees label owner lucy and underground trailblazer ercolino, inspired by novelist michael endes imagery, create two visions of a nihilistic future. the 12inch begins with the tale of fear incarnate >gmork<, the most powerful weapon for controlling society. the a-side is a portrait of this terrifying beast: slinking baselines come from its black heartbeat and white noise grows from its unearthly appetites. fat, squelching noises emerge as light, hope and ideas are quashed, ground up and eaten. the sound is viscose, violent and deep seething red. what emerges is a genius slice of dark, brooding techno crafted from the nectar of your darkest nightmare. the story gets even bleaker with b-side >so the nothing grows stronger<, a narrative of blips, bleeps and squeals. this extreme dub techno track is a mutinous call to arms, the sound of the insurgence. here beats forge together, fortified by a devastating charge, till the track crunches away into nothingness
yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself
bearweasel are london-based duo dean muhsin and louisa page, a pair who in less than a year have a string of singles and remixes for some of the best labels around including 8-bit, tsuba, supernature, perc trax and murmur. the >sorry for nothing ep< is build around two original recordings, >risk< and >many more< and also features a remix from moon harbours dan drastic. first out of the gate is the original of >risk<, a track built around a shuffling percussion led groove. the spacious arrangement, intense stabs and low-key bassline lend a depth and quality to this cut that make it truly sublime. simple, understated yet devastatingly effective. next up, dan drastic reworks >risk<, turning in a remix that stays true to the original whilst imprinting things with his own sound. the drums are toughened up and the vibe is a little more dubbed out, providing an alternative that sits perfectly alongside bearweasels primary production
after releasing through flamingo, dos palomas negras & the hardsoul label, we pleased to have baggi begovic on board in the stealth team. a timeless club record!
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